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photo by Ilana Waniuk

Created for Eunmi Ko and Bailey Grayson as a part of CAMPGround '26, Still Life is a site-specific audiovisual performance which celebrates houses and dwelling places as collections of sights, sounds, and behaviors which make up the fabric of our lives. The work presents these daily experiences in ways that range from mundane to surreal, at times blurring the distinction between performative and non-performative action. In doing this, Still Life explores the ways in which behaviors cultivated in private performances can come to feel incidental, while physically embodying aspects of our conscious experience. Similarly, the audiovisual landscape of a home can form a baseline of familiar “background noise” with components both cultivated and incidental existing together to create a highly personal environment. In Still Life, a collection of these sounds and actions is explored through live music and dance, with audiovisual components that aim to take advantage of space and synchronicity as a way to experiment with our experiences of familiar sounds and images. 

Technical Specifications                           

Still Life uses three channels of synchronized video, each with its own channel of stereo audio.
These audio/video tracks are played back on three CRTVs, spatialized in the living room/kitchen area of a house. 

Audio from the televisions is synchronized to an additional channel of stereo audio, played back on large house speakers. 

Still Life (excerpt 1)
Still Life (excerpt 2)
Still Life (excerpt 3)

Performance + Production Credits                           

Anthony R. Green: project director

Joseph Bourdeau: composer + video artist;

percussionist + narrator

Bailey Greyson: dancer

Eunmi Ko: pianist

Zachary Hale: audio engineer

Robert Voisey: video documentation + live streaming
AJ Francisco: stopwatch coordinator

Fixed audio/video by Joseph Bourdeau
Additional audio/video materials provided by Eunmi Ko

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